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The
New World Symphony Project:
A
Eurythmist's Dream Come True

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“For a eurythmist, this is an absolute dream,” said Dorethea Mier
of Eurythmy Spring Valley. Mier was asked to be Artistic Director for
the production of Antonin Dvorak's New World Symphony two
years ago by Marke Levene, president of the Eurythmy Association of
North America.
“I
think one seldom has the opportunity to bring the full scope of
eurythmy to an audience,” Mier said. “Having 18-20
eurythmists on stage for each movement is very special.”
Eurythmy
Spring Valley by itself was not a large enough troupe for the
project, so as part of the effort to find additional eurythmists an
open workshop was planned. Forty-two eurythmists from throughout the
United States and Europe came to Spring Valley, NY, to experience
symphonic eurythmy in the workshop. Through an audition process, the
troupe of 26 was established, with eurythmists from Germany, Norway,
France, Switzerland and Israel as well as California, Pennsylvania,
Chicago, IL, and Spring Valley.
“Eurythmy
can really show its best when performed by a large group,” said
Brigida Baldzun, a eurythmist with the New World Symphony
project. She compared the choral quality, the weaving of many, to
mixing colored liquids together. Rather than being like the mixing
of two different liquids, it is as if you are stirring in 10
substances. “It is that rich,” she said.
Culturally,
the mixing has been rich as well, according to Baldzun. “We
are from eight or nine different countries, mostly practicing without
speaking. With all our different languages and nationalities, we are
listening to this one music, unifying, finding each other in this
music. This is how we overcame the differences in our training,”
she said. “We went the path of listening to the music.”
What
may be most exciting for the eurythmists is moving to orchestral
music. “This is new territory,” Mier said, “to
really differentiate between woodwinds, strings and percussion, and
then between flute, oboe, and clarinet.”
Embodying
the qualities of the different instruments, Baldzun said, was very
exciting. “I’m also a musician. I am at home in music.”
This past summer before roles were cast, the eurythmists were able
to explore the breadth and depth of those differences. In the
performances beginning in August 2005, Baldzun said, for example,
that though she represents a different instrument in each of the
movements, all are higher in tone because of her smaller stature.
For
the audience of the workshop performance that happened this past
summer in Spring Valley, the overall experience was tremendous.
Barbara Danner, of Wisconsin, who was in attendance, described the
weaving that she saw. “You began to see the relationship of
the instruments and how the melody is carried and supported.
Eurythmy is supposed to be visible music,” said Danner, “It
was visible!”
The
company’s production of Antonin Dvorak’s New World
Symphony will debut Saturday evening, August 13 at the Power
Center on the University of Michigan campus in Ann Arbor, Michigan.
They will be accompanied by the Ann Arbor Symphony Orchestra. The
performance is part of this August’s conference, “Being
Awake: How Do I Awaken to the Spirit in Myself and to the Spirit in
the World?” scheduled for August 11-14. The conference is
hosted by the Anthroposophical Society in America, in collaboration
with the Anthroposophical Society in Canada, the General
Anthroposophical Society, and The School of Spiritual Science. Many
other artistic presentations are scheduled during the conference as
well as an art exhibit and sale of works created by members of the
Visual Arts Section of the School of Spiritual Science in North
America.
Afterward,
the company will tour North America through mid-October. Their
program will feature the 2nd, 3rd and 4th
movements of the New World Symphony, as well as eurythmy
pieces to speech and chamber music.
For
more information about the summer conference, click on the image located
at the upper right column of this page, or contact the Society's offices:
Website:
www.anthroposophy.org
Phone:
734.662.9355
Email:
conference2005@anthroposophy.org.
To
learn about other possible performance venues or to support this
project financially, contact Marke Levene, 707-875-2373 or visit the webpage
at www.newworldtour.org.
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